Today, we’re going to take a look at slant rhymes in action with the help of our good friends (and my life’s recent Godsend) Mumford and Sons. The resonant opening lines of their song “Blank White Page” calls attention to the potential power of imperfect rhymes. Listen to the lines and skip past the break to delve oceans deep into this topic.
If you came here because you’re struggling with naming your characters, you’re not alone! Many writers struggle with finding the “right names.” I say “right” because, while there’s no such thing as a perfect name, a name is part of what shapes your character’s identity.
I was thumbing through a poetry chapbook made by a former student at Utah Valley University, and stumbled on a piece titled “The Oxford Comma.” As you probably know from my previous entries on the topic, I’m quite a fan of our dear serial comma, so I was deeply enthused to find that the author’s feelings reflected my own. It felt mandatory to track down the author and ask for permission to re-publish the work here. Chelsea Foulk, who is also the creative mind behind InClover Art, was kind enough to grant said permission.
So, without further rambling, here is “The Oxford Comma” by Chelsea Foulk.
If you’re here looking for the simple answer to this simple question, here goes:
That was easy, wasn’t it? But, since you probably asked that question because what you were taught before contradicts what you’re being taught now, let me clarify the ins and outs of this particular writing rule.
The Oxford Comma: Give Me Clarity or Give Me Death
I ask every writer and editor I work with one crucial question: “What’s your opinion on the Oxford comma?” At times this has even been my conversation opener, because, much like religious nuts who won’t befriend those not of their faith, I just can’t bear people who don’t believe in the serial comma. I feel like spending time with anti-Oxford-comma-ists may cause me to break out into a terrible rash.